The recent popularity of horror films featuring zombies is indicative of social tensions surrounding racism, globalization and rampant Western consumption. In the films comprising George A. Romero’s Dead series, differences between survivors become blurred when human value is reduced to sheer humanity. Romero’s films show that social preoccupations of race, gender and class (among others) remain problematic in the undead, post-apocalyptic context and often take precedence over the need for cooperation and resources for survival. The zombies themselves are sociologically loaded; from their colonial origins in Haiti to their “Americanization”, combining themes of racism, savagery and othering. This book outlines the underlying social critique that underscores Romero’s entire series. Drawing from cultural materialism and active audience theory, this book shows how Romero’s Dead series can inspire reflexivity and assessment of our everyday roles in consumption processes while helping us speculate on the endings of our own narratives.
- RT @kimcormack: I'm taking the cat. Don't try to stop me. #RaccoonKidnapping http://t.co/DHAyIzCXUD about 18 minutes ago
- Just walked out of the premiere of #Swearnet and I'm still giggling. It was awesome! Can't wait for more Trailer Park Boys! about 1 hour ago
- @eviltaylorhicks @DemonOwenGarth @ScareAlex She's no Marilyn Burns, that's for sure! 05:54:49 PM August 20, 2014 in reply to eviltaylorhicks
- RT @RueMorgue: We are 8 days away from Festival of Fear! Don't miss the Black Christmas Reunion panel, Saturday at 5:15! Hosted by @paulcor… 05:33:58 PM August 20, 2014
- RT @annetdonahue: The scariest horror movie would be about someone telling you about their cross-fit workout during a John Mayer concert. 05:33:28 PM August 20, 2014
- @DemonOwenGarth @ScareAlex I can't really think of a final girl I dislike... But I do like some more than others. 05:33:01 PM August 20, 2014 in reply to DemonOwenGarth