The recent popularity of horror films featuring zombies is indicative of social tensions surrounding racism, globalization and rampant Western consumption. In the films comprising George A. Romero’s Dead series, differences between survivors become blurred when human value is reduced to sheer humanity. Romero’s films show that social preoccupations of race, gender and class (among others) remain problematic in the undead, post-apocalyptic context and often take precedence over the need for cooperation and resources for survival. The zombies themselves are sociologically loaded; from their colonial origins in Haiti to their “Americanization”, combining themes of racism, savagery and othering. This book outlines the underlying social critique that underscores Romero’s entire series. Drawing from cultural materialism and active audience theory, this book shows how Romero’s Dead series can inspire reflexivity and assessment of our everyday roles in consumption processes while helping us speculate on the endings of our own narratives.
- My cheerful co-commuter on the bus this morning. Hope your Monday is as happy! https://t.co/PZwheEL2xK about 2 hours ago
- Happy birthday, @WilliamFriedkin! The power of your directing compelled us to tackle THE EXORCIST in episode 31. https://t.co/sATDIrnLFH about 3 hours ago
- @sarisataka Loved it! Very unique and moving. about 12 hours ago in reply to sarisataka
- @madefortvmayhem she's incredibly endearing, right from her first lines about 16 hours ago in reply to madefortvmayhem
- Been meaning to watch this one for years! https://t.co/G1uz8wFMnc about 17 hours ago
- Hey, cool - a bongo circle outside my front door! Here's a level of hell I've never experienced. 11:53:35 AM August 27, 2016